If you encounter audio artifacts when using Auto-Tune, check that the Input Type matches your source and/or try a different Input Type. Reduce excess sibilance by using a de-esser before Auto-TuneĪuto-Tune features "Input Types" designed for specific sources.Reduce hum and hiss by using high pass/low cut filters before Auto-Tune.Reduce plosives by using a pop filter and ensuring proper distance from the microphone.Reduce rumble by using a shock mount / suspension mount for the microphone.Use closed-back headphones when recording vocals.Reduce microphone bleed and reflections by using an isolation booth, gobo, and/or overdub vocals without any other sources in the room.The following standard recording practices can help improve your results with Auto-Tune Realtime Advanced: All other processing such as delay, reverb, spatial effects, distortion, etc should be applied after Auto-Tune.Īuto-Tune Realtime Advanced is Unison-compatible - meaning it can be used after a Unison plug-in within Console - however extremely distorted or saturated signals should be avoided.Īuto-Tune works best with clean, well-recorded audio. In general, effects like high pass/low cut filters, subtle EQ, de-essers, and gentle compression/dynamics should be used before Auto-Tune in the effects chain. Sources processed with stereo effects (chorus, delay, reverb, etc)Īuto-Tune can be inserted on mono or stereo tracks, however, the source should always be monophonic.Percussive sources (drums, cymbals, etc).Polyphonic sources (chords, harmonies, etc).Solo instruments such as guitar, woodwinds, brass, strings, etc playing one note at a timeĪuto-Tune is not recommended for use on the following sources:.Auto-Tune is designed to be used on solo, monophonic audio material.
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